Article "Thoughts on Pleyel's Piano Method" published in
Studien und Materialen zur Musikwissenschaft, Band 63:
"der beliebste, der gespielteste und genosseneste Tonkünstler"
Studien zum Werk Ignaz Joseph Pleyels
Herausgegeben von Klaus Aringer und Ulrike Aringer -Grau, Hildesheim, Zürich, New York: Georg Olms Verlag, 2011, p. 289-298

Piano Masterclass 14th – 24th February 1995, organized by the Foundation Jean-Frédéric Perrenoud (Perrenoud International Masterclasses) Bösendorfer Saal, Vienna: varied classical repertoire on a Bösendorfer piano, with the opportunity to work on the contemporary music of Jean Frédéric Perrenoud, as well as the music of CPE Bach on fortepiano (Rosenberger 1810 copy) and the music of John Field and Chopin on a Pleyel piano 1835.